This is a story of history entering the paths of memories and dreams. The story of villagers, made mute by colonialism and slavery, entering the garden of a new vision through a new machine, bioscope.
Perhaps, the protagonist Diwakaran’s new journey starts with his acquisition of a bioscope. The Frenchman DuPont, who does bioscope shows on the coasts of Tamil Nadu, is the architect of his new journey. Diwakaran was stunned by early forms of cinema images. His relationship with DuPont and the bioscope start with his astonishment when he first saw moving images. It turns into a story of inseparable friendship.